![]() The song’s complex, ensemble nature was directly inspired by Broadway. ![]() It’s a really great, heartbreaking vocal performance.”Īndrew joins most of the other characters in the the standalone “My Furry Valentine” special to perform the showstopper song “Valentine’s Day,” which is actually a critique of the romantic holiday. He’s this poor wrongheaded, naïve kid, embracing what he thinks he is so wrongly. When he kicks in on ’Totally Gay,’ he’s just so sweet. “Also, John Mulaney is not a tremendous singer by any means, but singing in the Andrew character, it’s one of my favorite musical moments. “I always like writing for Andrew, because I feel like in many ways, he’s the heart of the show,” said Rivers. It’s hard, very hard.”Īlthough there’s a freedom to writing for musical veterans like Rudolph or Andrew Rannells, who voices Matthew, one of Rivers’ favorite characters to write for isn’t a seasoned singer: Andrew, voiced by John Mulaney. I don’t really know how the hell to sing in her voice. That’s more of a challenge because she’s got such a low voice. Rudolph is far more modest about her skills. Pretty much any style is good for her to sing in.” “But it’s fun and so much easier when I know that she’s going to be singing it because I can pretty much write whatever I want and know that she’s going to hit it. It’s me singing, and I’m in falsetto, going for it, way out of my range,” he said. On a show in which most of the comedic voice actors aren’t singers, being able to write a song that features Rudolph allows Rivers to run with a broader range of vocals.“I always use temp vocals for her song, and it’s pretty ridiculous. It just seemed to fit, not only the celebratory tone of the song, but also Maya Rudolph’s vocal. “We landed on disco as the perfect party, happy, upbeat vibe. You couldn’t really create an animated party vibe with naked women dancing around to it,” he said. Hear me roar,’ but it was a little too serious. “The first pass I did was a little bit more, ‘I am woman. Rivers at first tested out a Broadway showtune style for “I Love My Body,” but then he was directed to switch to a “Gloria Gaynor vibe” instead. “I Love My Body” is a song that is tailor-made for the Hormone Monstress, from its messaging to its aggressive vocals. “None of us had idea that Connie would be such a superstar. “We all created this thing together that we fell in love with,” Rudolph said. “In my first pass, I think I had saddlebags, and they were like, ‘No, that’s too negative.’ But I’ve yet to figure out why bat-wings is acceptable and saddlebags is not. “When I talked about with the producers, they gave me a few that I hadn’t heard of, like bat-wings,” Rivers said in an interview with IndieWire as he was working on Season 3. Maya Rudolph as the Hormone Monstress named Connie is their guide to this parade of wobbly bits and sings:įor the love letter to all of those body parts of various shapes and sizes, Rivers had to familiarize himself with the nuances of the terminology. The feminist, body-positive anthem “I Love My Body” comes about when Jessi and Missy (Jessi Klein and Jenny Slate) enter a Korean spa and are astounded by the wide range of very naked female bodies parading around without shame. The Netflix animated series has been lauded for promoting acceptance of all the awkward ways people mature, and the songs “I Love My Body” and “Valentine’s Day” are the epitome of showing that no one is ever alone in their experience. For composer Mark Rivers, the challenge to writing songs for “ Big Mouth” is balancing blunt language about sexuality and anatomy with the show’s tender, hopeful heart. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |